Showing posts with label alternative Rock. Show all posts
Showing posts with label alternative Rock. Show all posts

Sunday, November 08, 2026

πŸ‘½ PJ Harvey πŸ‘½ Happy Birthday, John Peel! 1999 192 (1@128)πŸ‘½


Was cleaning in the P folder in the HD and found this, so thought I would share it when I tested it all the tracks weren't 192,track 2 is in fact only 128,  I have looked for a better copy without any luck, so will post it as is. Track  2 Dry is the 128 track. At copy at 192 is better than no copy at all in my book!!

Excellent soundboard recording.

John Parish & Polly Jean Harvey live at the Improv Theater for BBC Radio One, London, UK, 01.04.1999.

1 Intro
2 Dry
3 Man Sized
4 Legs
5 Angelene
6 C'mon Billy
7 Rid Of Me
8 Teclo
9 Send His Love To Me
10 50Ft Queenie
11 Oh My Lover
12 Outro


* Enjoy, Reb πŸ‘½ Link hidden somewhere on the post *

πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

Thursday, November 05, 2026

πŸ‘½John Fahey & Cul de SacπŸ‘½The Epiphany Of Glenn Jones 1997 320πŸ‘½

Tuff
Gamelan Collage
The New Red Pony
Maggie Campbell Blues
Our Puppet Selves
Gamelan Guitar
Come On In My Kitchen
Magic Mountain
More Nothing
Nothing

* Enjoy, Reb πŸ‘½ Link hidden somewhere on the post *

πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

Wednesday, November 04, 2026

πŸ‘½ The Dentists πŸ‘½ Deep Six 1995 320πŸ‘½


Shining Like A Star
Slither
Weirdo (At 25,000 Miles Per Hour)
My Heart Is Like A Town You Moved Away From
Kick Start My Body
Appetite
Hedonist
Not Coming Back
An Agony In Twelve Fits
Whole World Explode
Gradual
Good Riddance
Orange Gold
Electric Train Of Thought
Why?

* Enjoy, Reb πŸ‘½ Link hidden somewhere on the post *

πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

Thursday, October 29, 2026

πŸ‘½ Cul De Sac πŸ‘½ I Don't Want To Go To Bed 1995 320πŸ‘½

 



Band from Boston, Massachusetts formed in 1990

Their second album from 1995. 

πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

* Enjoy, Reb πŸ‘½ Link πŸ‘‡ *




Wednesday, October 28, 2026

πŸ‘½Cul de Sac πŸ‘½ China Gate 1996 320πŸ‘½


01 China Gate
02 Sakhalin
03 Nepenthe
04 Doldrums
05 James Coburn
06 Virgin Among Cannibals
07 ...His Teeth Got Lost In The Mattress...
08 Hemispheric Events Command
09 The Fourth Eye
10 The Colomber
11 China Gate (Reprise)
12 Utopia Pkwy.


πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

* Enjoy, Reb πŸ‘½ Link πŸ‘‡ *

πŸ‘½Cul de Sac πŸ‘½ Ecim 1992 (2206 Expanded CD) 320πŸ‘½


01 Death Kit Train
02 The Moon Scolds The Morning Star
03 Stranger At Coney Island
04 Homunculus
05 Portland Cement Factory At Monolith, California
06 Nico's Dream
07 The Invisible Worm
08Song To The Siren
09 Electar
10 Lauren's Blues
11 Cul de Sade (Bonus Track)
12 The Bee Who Would Not Work (Bonus Track)
13 Negligee (Bonus Track)

This 2006 Expanded CD version comes with 3 Bonus Tracks. 

πŸ‘Ώ πŸ‘Ί πŸ‘ΎπŸ’‚πŸ‘½ πŸ‘»

* Enjoy, Reb πŸ‘½ Link πŸ‘‡ *
 

πŸ‘½Purple Avengers πŸ‘½ Dragonfly EP 1995 320πŸ‘½



This EP was submitted to Vibes by BasicDave, a new rip at 320 from the CD, thanks Dave.

* Enjoy, Reb πŸ‘½ Link πŸ‘‡ **

 

πŸ‘½Gaudi πŸ‘½Theremin Homage to the Smiths (2025) 320πŸ‘½(link Added To The Post) πŸ‘½



To celebrate 40 years since Gaudi attended the only concert The Smiths played in Italy, on May 14 1985 in Rome, he wanted to say Thank You in his own artistic way to the band he loved the most. No other bands or music artists has managed to stir such extreme emotions -Gaudi says-, touching my soul and my heart, artistically and personally.
Morrissey and Marr were an untouchable combo whose song writing and performance to G's mind was absolute perfection. Such was their musical chemistry it made it extremely difficult, if not almost impossible to cover their songs. No other singer can recreate the melancholic romanticism of Moz. His vocal delivery was intimate and distinctive, touching quarter tones that made him unique and made him, well so him.
That being said, Gaudi still had the desire to try the impossible by playing the only musical instrument he believed was up to the task of respectfully re-interpreting The Smiths’ musical magic and in so doing say thank you, in his very own way.
The Theremin, is the musical instrument on which he has specialized for 27 years now, playing it live in all his gigs and including it on many of his studio productions.
Developed in 1920 by Russian physicist LΓ©on Theremin, the Theremin is an electronic device which works with magnetic fields and consists of one metal antenna controlled without physical contact. Predominantly a fairly niche instrument, it has featured in several styles of music since its creation, from classical works to sci-fi movie soundtracks, pop and rock.
This project is far for being a cover album, but rather a true “music homage” Gaudi created for The Smiths, for his own pleasure and for all The Smiths connoisseurs, an album of 9 songs entirely rearranged by himself and completely re-played with the contribution of his team of outstanding musicians, he played this unique musical instrument, the piano and the glockenspiel, all dubbed-up with vintage Tape Echoes to create an even deeper texture.
A very intimate project that Gaudi dedicates to Andy Rourke, bassist of The Smiths that prematurely left this dimension on May 19, 2023.
Don Letts

Ok try am something a little bit different with this post, if a certain number of visitors to Vibes would like this then add a comment, if the number of requests for the album meets the number I have in my head, then once that number of comments is reached, I will add the link in the comments. So we will see what happens? So it's down to you if would like a copy ask in the comments. Might take a couple of days before the link is added. 
Reb

Sorry guys I would still like a few more requests for this album before I share a link, most of my shares get between 40 to 50 downloads, so far just 6 requests for it. But as soon as I add the link I know what will happen. So a few more please. 
I do think this could be the answer to my posts.
πŸ‘Ύ





Tuesday, October 27, 2026

Flat Worms - Flat Worms (2017) 320


Flat Worms belt-sanded everyone with their 7-inch on Volar, and Castle Face is proud to present their debut album. The band continues their ride on a buzz-saw wave of feedback-tipped riffs - A little Wipers, a little Wire, and a lot of late-capitalist era anxious energy—Flat Worms scratch the itch quite nicely.

Tuesday, October 20, 2026

πŸ‘½Uncle Tupelo πŸ‘½ No Depression 1990 (Legacy Edition 2014) 320πŸ‘½

Well I posted the single CD version of this many moons ago, thought I would share the Legacy Edition from 2014, with you all today. 

* Enjoy, Reb πŸ‘½ Link πŸ‘‡ **

 

Friday, October 09, 2026

2004 - Nick Cave & The Bad Seeds - Abattoir Blues - The Lyre of Orpheus



2004  -  Nick Cave & The Bad Seeds  - 
 Abattoir Blues - The Lyre of Orpheus



When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment -- and taste. Drummer Jim Sclavunos' aggressive, propulsive kit work is the bedrock of this set. It and Mick Harvey's storm-squall guitar playing shake things loose on "Get Ready for Love," which opens the album. As Cave goes right for God in the refrain -- "get ready for love" -- in the maelstrom, a gospel choir roaring "praise Him" responds. His tense, ambivalent obsession with theology is pervasive; he mocks the Western perception of God in the heavens yet seeks the mystery of His nature. That he does so while careening through a wall of noisy rock damage is simply stunning. It leaves the listener revved up and off-center for what comes next. The chorus -- members of the London Community Gospel Choir -- is prevalent on both records; the Bad Seeds' arrangement utilizes them wisely as counterpoint and mirror for Cave's own baritone. "Cannibal's Hymn" begins as a love song musically; it's chocked with Cave's dark wit and irony and ends far more aggressively while retaining its melody. The single, "Nature Boy," finds itself on Scalvunos' big beat. Cave and his piano use love's irony in contrast with cheap innuendo as underlined by the choir in their best soul croon. "Let Them Bells Ring" is a most dignified and emotionally honest tribute to Johnny Cash and the world he witnessed. The Western wrangle of "There She Goes, My Beautiful World" references Morricone's desert cowboy groove against a swirling cacophony of drums, bashing piano, and the chorus swelling on the refrain, while Cave name drops Johnny Thunders and poet Philip Larkin. The pace is fantastic; its drama and musical dynamics are pitched taut, with lulls in all the right places.

The Lyre of Orpheus, by contrast, is a much quieter, more elegant affair. It is more consciously restrained, its attention to craft and theatrical flair more prevalent. But that doesn't make it any less satisfying. It is a bit of a shock after Abbatoir Blues, but it isn't meant for playing immediately afterward; it is a separate listening experience. The title track tells the myth's tale in Cave's ironical fashion, where God eventually throws a hammer at the subject and Eurydyce threatens to shove his lyre up his nether orifice. Warren Ellis' swampy bouzouki and Thomas Wydler's more stylized drumming move the band in the tense, skeletal swirl where chorus and Cave meet the music in a loopy dance. But in "Breathless," the bard of the love song emerges unfettered at the top of his poetic gift. On "Babe You Turn Me On," he wraps a bawdy yet tender love song in a country music waltz to great effect. But on this album, along with the gentleness, is experimentation with textures and wider dimensions. The sparser sound is freer, less structured; it lets time slip through the songs rather than govern them -- check the wall of Ellis' strings married to a loping acoustic guitar on the moving "Carry Me" as an example. Cave's nastiness and wit never remains absent for long, however, and on "O Children," the album's closer, it returns with this skin-crawlingly gorgeous ballad of murder and suicide. This set is an aesthetic watermark for Cave, a true high point in a long career that is ever looking forward. (AllMusic)


LINK in Comments





 

Wednesday, October 07, 2026

2013 - Nick Cave & The Bad Seeds - Push the Sky Away (Deluxe Edition)



2013 - Nick Cave & The Bad Seeds -  Push the Sky Away (Deluxe Edition) @320



Nick Cave’s apparent inability to stop making music has now been our gain for four decades. After spending much of the last seven years with Grinderman, Cave has reconvened with the Bad Seeds for their fifteenth record. Their last outing, 2008’s Dig, Lazarus Dig!!!, saw them sharpening their edge after a series of mellower releases. On Push the Sky Away, Cave & co. cleanse their palettes and nail a sound that suggests they are coming to terms with their status as the elder statesmen of rock.

A soft-spoken record with a sharp focus but no real itinerary, Push the Sky Away’s nine songs are dim and distilled, antithetical to the snarl that Cave honed with Grinderman. It’s as if he deliberately placed these songs on the shelf for a year so that they could collect a layer of dust. His internal monologue is somehow redemptive, but more fragmented than usual, uniting his traditional themes of religion, sex, love, violence, sex, and mortality with the shock of the new. Case in point: The smoky “Higgs Boson Blues,” which combines classic Cave (“Hear a man preaching in a language that’s completely new”) with non sequiturs like “Hannah Montana does the African Savannah.” It’s rare for Cave’s attempts to infuse modernity into his lyrics to be this clunky, but the pop culture references almost end up being worth it for the double takes they prompt.

Much like his band, Cave’s weathered voice musters power slowly and steadily. Even when he is referencing Ms. Montana or Wikipedia, the weight he puts behind his words summon an atmosphere so blackened that it belies the content. He sounds more like a grizzled, dirty-minded old man than ever before, which lends itself neatly to the record’s themes.

Thse smaller pleasures aside, Push the Sky Away skillfully utilizes delicate contrasts to build tension, all of which leads to two great moments of release. The first is the sublime “Jubilee Street.” Cave tells the story of a prostitute who becomes pregnant (“A ten ton catastrophe on a sixty pound chain”) as a wiry guitar line bobs and weaves through ashen percussion and Warren Ellis’ delicate veil of strings. The second release comes on the title track, which closes the album out. It’s built around an unshakeably haunting organ tone, and as Cave repeats “Keep on pushing,” it’s obvious that journey was worth the struggle.

A few songs revisit styles that Cave and the Bad Seeds have had success with in the past. “Water’s Edge” is rattled off in semi-spoken word in the vein of “The Mercy Seat,” and “We No Who U R” plays like a more solemn rendition of “Abbatoir Blues.” The occasional flashback notwithstanding, Push the Sky Away is as wonderfully subdued as anything they’ve ever done, and there’s currently no group that can wring more value from their age and experience. A lot of bands will scream at you to get their point across. Push the Sky Away has the ability to move without raising its voice above a whisper. (BeatsPerMinute)


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Clutter – Sugar Rush 320 😎


All tracks are 320 except Unbothered which is 256, sorry I tried to replace it, but all I found were the same, even converting from a flac version, it would only convert to 256. There is a replacement 320 for the 256 one. It's in the comments. 

* Enjoy, Reb 😎 Link πŸ‘‡ *

Friday, October 02, 2026

Doll By Doll

Gypsy Blood

(2007)

 









320

If you like what you see, look for the link in the comments. 

 


Tuesday, September 29, 2026

The Jaded Hearts Club - Live at The 100 Club 2020 flac


Supergroup cover band. Covering mainly The Beatles. The primary members include; Miles Kane (of The Last Shadow Puppets), Matt Bellamy (of Muse), Graham Coxon (of Blur), Nic Cester (of Jet), Ilan Rubin (of Nine Inch Nails), and Sean Payne (of The Zutons). The band has had occasional supporting appearances by Paul McCartney, Dominic Howard and Chris Wolstenholme.

* Enjoy, Reb 😎 Link πŸ‘‡ *

Various – International Pop Overthrow Vol 26 2025 320 😎



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I have Vol 27 but as it's just been released I won't share it until late next year. But it's on the net if you want to search for a copy for yourselves. It's just not worth the risk with take down notices. 

Various – International Pop Overthrow Vol 25 2024 320 😎


* Enjoy, Reb 😎 Link πŸ‘‡ *
 

Various – International Pop Overthrow Vol 24 2023 320 😎


* Enjoy, Reb 😎 Link πŸ‘‡ *