Showing posts with label 1971. Show all posts
Showing posts with label 1971. Show all posts

14 April 2025

Charlie Patton

 



Charley Patton (born 1891?, Hinds county, Mississippi, U.S.—died April 28, 1934, Indianola, Mississippi) was an American blues singer-guitarist who was among the earliest and most influential Mississippi blues performers.

Patton spent most of his life in the Delta region of northwestern Mississippi, and from about 1900 he was often based at Dockery’s plantation in Sunflower county. There he and other early blues performers, such as Tommy Johnson and Willie Brown, shared songs and ideas. Patton spent most of his career playing blues and ragtime-based popular songs for dancers at rural parties and barrelhouses, where his singing and clowning made him a popular entertainer.

In the nearly 70 recordings he made between 1929 and 1934, Patton sang in a gravelly, strained, sometimes unintelligible voice while providing himself with a changing, heavily percussive guitar accompaniment. His lyrics range from personal to topical. He also recorded some gospel songs. His best-known recording is “Pony Blues,” among the first of his to be issued, and others such as “Down the Dirt Road,” “Shake It and Break It,” “High Water Everywhere,” and “Moon Going Down” helped secure his popularity.

The aggressive intensity of Patton’s performances is particularly notable, a quality that influenced his successors such as Howlin’ Wolf (Chester Arthur Burnett), Son House, and Bukka White. Patton was inducted into the Blues Hall of Fame in its inaugural class (1980). (Britannica)


1971 - Founder of the Delta Blues (2010 Remastered) @320

1991 - King of the Delta Blues @320

2011 - Father Of Delta Blues  @320

25 March 2025

Marvin Gaye - 1971 - What's Going On (Deluxe Edition 50th Anniversary)


1971 - What's Going On (Deluxe Edition  50th Anniversary) @320


Motown’s “Prince Of Soul,” Marvin Gaye, was already a hit artist for nearly a decade when, in 1971, he reached new heights with his album What's Going On. An immediate landmark recording, it was the first of Gaye's albums to break the top ten of Billboard’s Top LPs, and quickly became Motown's best-selling record. To this day, What's Going On is hailed as one of the greatest albums of all time, earning the number one spot on Rolling Stone magazine’s 2020 list of “The 500 Greatest Albums Of All Time.”

On January 15th, in celebration of this groundbreaking album while also marking the 50th anniversary of the title song’s release as a single, UMe will be issuing collections that honor the depth of Gaye's album.

First, Motown/UMe has consolidated several What’s Going On-related releases into one new digital collection, What’s Going On: Deluxe Edition/50th Anniversary This includes the original album, plus 12 bonus tracks featuring each of the LP’s original mono single versions and their B-sides, two of which are different takes – “God Is Love” and “Sad Tomorrows,” an earlier version of “Flying High (in the Friendly Sky)” – while the pre-album single version of “What’s Going On” has no “party” intro and a false fade. Also included is the title song’s earliest mix, initially made as a reference for Motown’s in-house quality control department before horns and strings were added; a dramatic instrumental mix; a “Coffeehouse Mix” by Grammy-winning engineer Russ Elevado that emphasizes the track’s previously buried acoustic guitar, originally available on a Record Store Day exclusive 10” EP for the album’s 45th anniversary in 2016. Also included from that same 2016 release is a “What’s Going On” duet with Motown artist B.J. the Chicago Kid. Other tracks are an early working version of “Symphony,” written by Marvin with Smokey Robinson, in which Marvin sings over and over, “what’s going on?” while the song of the same name sat unreleased; and the instrumental “I Love the Ground You Walk On,” recorded during the same waiting period.

Fifty years later, the influence and meaning behind this legendary record continues to ring true. The single “What’s Going On” originated as a response to police brutality at a protest in Berkeley, CA and coincided with personal tragedy in Gaye's life as well as Gaye’s brother's time fighting in Vietnam. The compounding experiences sparked the poignant plea that became the full-length LP What's Going On. Calling out to a broken country, Gaye searched for reason and hope in a world that felt desperate and senseless; a sentiment that many share now more than ever.

Marvin Gaye continues to hold his place as one of the greatest singers, composers and producers of all time, and in this half a century What's Going On has proven itself to be one of the world's most unforgettable records. (Sound Knowledge)

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16 March 2025

La Lupe

La Lupe En Madrid

(1971)

 







 
 
 
 


 



320

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23 February 2025

Gene Clark -1971 - Gene Clark (White Light)



Gene Clark -1971 - Gene Clark (White Light) @ 320


Gene Clark's 1971 platter, with its stark black cover featuring his silhouette illuminated by the sun, was dubbed White Light -- though the words never appear on the cover -- and if ever a title fit a record, it's this one. Over its nine original tracks, it has established itself as one of the greatest singer/songwriter albums ever made. After leaving the Byrds in 1966, recording with the Gosdin Brothers, and breaking up the Dillard & Clark group that was a pioneering country-rock outfit, Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. Produced by the late guitarist Jesse Ed Davis (who also worked with Taj Mahal, Leon Russell, Link Wray, and poet John Trudell, among others), Clark took his songs to his new label with confidence and they supported him. The band is comprised of Flying Burrito Brothers' bassist Chris Ethridge, the then-Steve Miller Band-pianist (and future jazz great) Ben Sidran, organist Michael Utley, and drummer Gary Mallaber. Clark's writing, as evidenced on "The Virgin," the title cut, "For a Spanish Guitar," "One in a Hundred," and "With Tomorrow," reveals a stark kind of simplicity in his lines. Using melodies mutated out of country, and revealing that he was the original poet and architect of the Byrds' sound on White Light, Clark created a wide open set of tracks that are at once full of space, a rugged gentility, and are harrowingly intimate in places. His reading of Bob Dylan's "Tears of Rage," towards the end of the record rivals, if not eclipses, the Band's. Less wrecked and ravaged, Clark's song is more a bewildered tome of resignation to a present and future in the abyss. Now this is classic rock. (AllMusic)


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05 December 2024