Dan Hicks - 1997 - Return To Hicksville (Best Of) @320
Just where to place the free-range music of Dan Hicks & His Hot Licks -- are they country? jazz? rock? Western swing? comedy? -- has always been a nettlesome problem, confounding the public and hyphen-crazy critics alike. For Hicks and his all-acoustic band were certainly all of those genres and then some, a marvelous amalgam of American music with a large dollop of humor thrown in for good measure. Subtitled "The Blue Thumb Years, 1971-1973," this 16-track collection touches on all of the group's major stylistic bases and more, making this a greatest-hits album on a group who never really had a hit. Pulling half a dozen tracks from their debut album, Where's the Money? (the title track, "I Feel Like Singing," "Reelin' Down," "Dig a Little Deeper," "News from Up the Street," and "The Buzzard Was Their Friend"), seven tracks from Striking It Rich ("Canned Music," "Walkin' One and Only," "The Innocent Bystander," "I Scare Myself" [which later became a hit for techno rocker Thomas Dolby], the wry humor of "Presently in the Past," "You Gotta Believe," Maryann Price's sendup of "I'm an Old Cowhand [From the Rio Grande]"), and three from their swan-song album, Last Train to Hicksville the Home of Happy Feet ("My Old Timey Baby," "Sweetheart [Waitress in a Donut Shop]," and "Long Comma Viper"), this hits almost all the high spots with not a lick of filler anywhere to be found. The transfers to disc sound vivid and dimensional, and the liners by compilation producer and music historian Todd Everett are fun, provocative, and spot-on, getting into just what made this group so special. As all three of their albums are available on compact disc, this compilation makes an excellent first-purchase introduction to this band. (AllMusic)
1996 - Lavay Smith & Her Red Hot Skillet Lickers - One Hour Mama @ 320
The current swing revival, a very healthy development that has given younger dancers an opportunity to jitterbug to four/four music has, ironically, resulted in quite a bit of erratic music. Some of the so-called swing bands are really just playing rockabilly, '50s pop, or mere imitations of Louis Prima and Cab Calloway mixed in with R&B from later periods. But there are a few groups that really are playing swing, including singer Lavay Smith & Her Red Hot Skillet Lickers. The talented Smith has an appealing voice that sometimes sounds close to Dinah Washington's, but it's also flexible enough to handle material ranging from Bessie Smith to Anita O'Day. And, although the singer gets top billing, her instrumentalists are just as strong. The debut set by the Red Hot Skillet Lickers features heated and romping solos by trombonist Larry Leight, altoist Bill Stewart, tenor Harvey Robb, and Noel Jewkes on tenor, clarinet and baritone, along with a driving four-piece rhythm section. Pianist/arranger Chris Siebert is responsible for the inventive charts, which are sometimes a combination of earlier recordings and always leave space for solos. The material includes some blues, swing standards (such as "Blue Skies," "Squeeze Me" and "Between the Devil and the Deep Blue Sea"), and lots of riffing. The music is a joy. The fact that Lavay Smith's San Francisco ensemble has been able to benefit from the swing revival shows that it is possible to perform music that is both popular and quite swinging. (AllMusic)
Dan Hicks & His Hot Licks 2000 - Beatin' the Heat (Flac)
Most students of rock history will know Hicks for two reasons. One: he was drummer with the original West Coast psychedelic band, the Charlatans (no, not the dull Manchester miseries) and two: he wrote Thomas Dolby's hit ''I Scare Myself'' (of which there is a splendid new version on this album). What they may not tell you is that Hicks and his band have been responsible for some of the coolest, jazziest, swingingest,most unclassifiable music of all time.
Hicks' songs are always bursting with good humour and an irrepressible sense of fun. You'd expect nothing less from the man who once penned ''How Can I Miss You (If You Won't Go Away)?''. Sure enough, Beatin' The Heat boasts a wealth of amusing little toe-tappers such as ''Hell, Id Go!'' (a plea to be abducted by aliens), ''He Don't Care'' (an ode to a stoner with ''a different coloured headband for every day of the week'') and the closer, ''I've Got A Capo On My Brain''.
That's not to say that Hicks is a slouch in the music department either. Aided by celebrity pals such as Rickie Lee Jones (''I Scare Myself''), Tom Waits(whose composition "The Piano Has Been Drinking" is also included), Elvis Costello, Brian Setzer (on fine six-string form) and even Bette Midler (wonderfully restrained, for a change, on ''Strike It While It's Hot!''); this is good-time music made better by a band who swing every which way. Hicks' trademark backing vocal arrangements (courtesy Of Jessica Harper and Karla De Vito) add to the frolics and the production even contains a couple of samples and loops for a mild updating of the formula. In other words it was worth the wait. Welcome back Dan... (BBC)