Showing posts with label Channel One. Show all posts
Showing posts with label Channel One. Show all posts

Sunday, May 17, 2026

2008 - Various Artists - Reggae Anthology The Channel One Story Chapter Two



2008 - Various Artists - Reggae Anthology
The Channel One Story Chapter Two @320

In these times of music industry tribulation, back catalogue reissues and compilations seem to be the order of the day. This assortment comes from VP’s retro imprint 17 North Parade - their second to celebrate the Hookim brothers’ Channel One in its 70s pomp - and offers a nice spread of tunes, focussing on the cool vibes plus heavy heavy drum ‘n’ bass equation that made the label’s name.

Dotted in amongst these hallmark productions, however, are some curios that showcase the Hookims penchant for deeper roots. There’s The Wailing Souls ‘Jah Give Us Life’, (one of the few sides of the era that, due to a lack of variation in its admittedly stirring melody, sounds better on 7” version than full length discomix) and the mournful ‘Hog and Goat’, perhaps Don Carlos greatest moment, telling the tale of an army raid over a simple sad piano and horns call and response.

Things truly hot up during part two with ‘In Time To Come’ and the Drifter rhythmed ‘Three Wise Me’n by Earth and Stone, John Holt’s ‘Don’t Fight Your Brother’ and ‘Have You Ever Been In Love’, and Black Uhuru’s robust take on ‘Sun Is Shining’, proving Channel One wasn’t just about feel-good harmonies, snare shots and major keys. The sole shame is that only Jamaican artists are featured; Creole’s seminal ‘Beware Of Your Enemies’ really ought to have been included on the basis of the plethora of versions it inspired alone. Some dancehall songs are clustered at the end of each disc, including Barrington Levy’s forward marching ‘Soldier’ and Yellowman riding the Shank I Sheck rhythm for the languid ludicrous ‘Mad Over Me’.

There isn’t much on here that hasn’t been available in one format or another through the years, but these are largely excellent cuts that show there’s more to the studio than the Mighty Diamonds ‘Right Time’, possibly the most overplayed record of the period. Furthermore, if enough people are to get into reggae to make it commercially viable in the current climate, collections like this are essential. Hopefully then we’ll see the number of contemporary roots releases by big labels rise. (United Reggae)

(A thankyou is always appreciated)


 

Saturday, May 16, 2026

2004 - Various Artists - Reggae Anthology The Channel One Story



2004 - Various Artists - Reggae Anthology
The Channel One Story @320*
*track 2 is @128

Although not as well known as Studio One, Treasure Isle or Black Ark, Joseph and Ernest Hookim's Channel One Studio has played an equally strong role in the history of Jamaican reggae, first as a last blast of roots material at the close of the 1970s, and then as a cornerstone of the emerging dancehall scene in the mid-'80s. These two periods correspond neatly to the house bands in residence at Channel One, with the Revolutionaries providing the rhythms behind the first phase, and Roots Radics powering the second. This two-disc history of the studio shows that whatever the differences were between early and later Channel One releases, a crisp, clear sound was the constant, and the hits here from the Mighty Diamonds ("I Need a Roof," "Right Time"), Barrington Levy ("Dances Are Changes"), Delroy Wilson ("Sharing the Night Together"), the Jays (a cover of "Queen Majesty" by the Impressions), John Holt ("Up Park Camp") and Sugar Minott ("Babylon") all feature that same sharp, fresh feel and tone, making this a wonderful introduction to a vital Jamaican institution. (AllMusic)


(A thankyou is always appreciated)


 

King Tubby, Bunny 'Striker' Lee Vs Channel One , Jah Stitch – Dub Soundclash (For One Night Only) 2016 320 😎



* Enjoy, Reb 😎 Link 👇 *

 

Saturday, April 25, 2026

2023 - Channel One - Down In The Dub Vaults



2023 - Channel One - Down In The Dub Vaults @320

 

01. Wailing Souls - Kingdom Rise Kingdom Fall
02. Reggae Regular - Ghetto Rock
03. Michael Prophet - Just Talking
04. Tetrack - Trappers
05. Reggae Regular - Black Star Liner
06. Triston Palma - Joker Smoker
07. Anthony Johnson - Let Go This One
08. Hugh Mundell - Can't Pop No Style
09. Linval Thompson - One More Chance
10. Keith Hudson - Bloody Eyes
11. Roots Radics - Kingdom Rise Kingdom Dub
12. Reggae Regular - Ghetto Dubbing
13. Hi Times Band - Just Dubbing
14. Sly & Robbie - Trappers Dub
15. Reggae Regular - The Dub (It's Coming)
16. Dean Fraser, The Roots Radics - Joker Smoker Dub
17. Roots Radics - Let Go This Dub
18. Rockers All Stars - Can't Pop No Style Dubwise
19. The Revolutionaires - One More Dub
20. Keith Hudson - My Eyes Are Red

Greensleeves Records, the renowned record label based in the United Kingdom, has joined forces with Channel One Soundsystem, known as the ‘Roots Defenders of Notting Hill Carnival’, for the project called Down In The Dub Vaults. The task of curating this collection of exceptional roots & dub treasures, which have been featured on Channel One’s meticulously handcrafted soundsystem, has been entrusted to the enigmatic selector, Mikey Dread. Jamaican and UK groups & vocalists including the Wailing Souls, Michael Prophet, Linval Thompson, Hugh Mundell, and many others are showcased on this compilation. In addition, the second disc of the collection takes listeners into the deep echo dungeon with the dub versions from well-know musicians/engineers such as Sly & Robbie, Scientist, Augustus Pablo, and The Rockers All-Stars, providing a comprehensive and immersive listening experience.
In 1979, Mikey Dread and his brother Jah T Mikey took over the Admiral Bailey sound system, subsequently rebranding it as Channel One, in homage to the renowned Jamaican studio. Since the 1980s, Mikey and his team have been a fixture at the prestigious Notting Hill Carnival, where their discerning selection of conscious music has earned Channel One a devoted following and a reputation as one of the most beloved soundsystems in the United Kingdom. Their global reach has extended beyond the confines of traditional reggae, as evidenced by their collaborations with notable artists such as Nightmares On Wax and Gilles Peterson.

Channel One is well-acquainted with the timeless classics of Greensleeves. Therefore, it comes as no surprise that they have approached Mikey to curate a collection from the extensive repertoire of Greensleeves’ classics for this exclusive compilation. It is worth noting that this marks the first instance of a UK soundsystem participating in such a project since Greensleeves Records released Jah Shaka’s The Positive Message in 2010.

Presented over two LPs, this collection features a number of classic tunes, some of which may not be as widely recognized from the Greensleeves archives. This is to be expected, as the selection is not based on a “greatest hits” approach, but rather a personal choice of sound system tunes that have held a permanent place in Channel One’s record boxes over the years.

Upon listening to Kingdom Rise Kingdom Fall by the Wailing Souls, it becomes apparent how exceptional the collaboration between Wailing Souls, Roots Radics, and Junjo Lawes truly was. The selection of two tunes by Reggae Regular is particularly noteworthy. This UK band was established in 1976 and were noticed by the then-insignificant Greensleeves label, which released two of their songs, Where Is Jah and The Black Star Liner, on the label’s first 12-inch in 1977. The impressive Black Star Liner is featured on this album, as well as Ghetto Rock, a realistic and biting tune from 1984. The late Michael Prophet’s Just Talking is described by Mikey as “Heavyweight Dub,” rendering further commentary unnecessary. Trappers by Tetrack, who recorded this “foot warmer” for Gussie Clarke in 1984, evokes a different mood.

Triston’s 1982 ganja anthem Joker Smoker, produced by Jah Thomas, is widely recognized as one of the most well-known tracks. On the other hand, Anthony Johnson’s Let Go This One, a powerful sound system classic that pushes the limits of speakers, remains relatively unknown. Hugh Mundell, under the guidance of producer Pablo, delivers an exceptional performance with Can’t Pop No Style, hailed by Mikey as an anthem for Channel One Soundsystem over the years. Linval Thompson’s mocking lovers tune One More Chance, released in 1979, showcases the superb backing provided by his favorite band, The Revolutionaries. Surprisingly, Keith Hudson’s Bloody Eyes is included in this selection. This unique lovers ballad from 1978 can also be found on his album Rasta Communication. However, it is worth noting that the version presented here is the overdubbed LP version, rather than the more raucous 12-inch version, which is somewhat unfortunate.

Then we move on to the dub section, featuring a selection which is meant to be experienced through a high-quality sound system, as they are meticulously crafted and designed to captivate your senses. Notable heavyweight highlights include the exceptional Kingdom Rise Kingdom Dub, Joker Smoker Dub, Let Go This Dub, and One More Dub, which showcase the mastery of their creators. Keith Hudson’s dub My Eyes Are Red is a prime example of his ability to create an indescribable atmosphere that must be heard to be fully appreciated. We encourage you to listen and form your own judgment. Hugh Mundell’s dub of Can’t Pop No Style is a more straightforward composition, featuring a raw drum and bass foundation complemented by ethereal keyboard accents and infused vocals from Hugh Mundell. On the other hand, Reggae Regular’s dub Ghetto Dubbing takes a more lighthearted and playful approach, while the powerful Black Star Liner dub resonates with a more militant tone.

In summary, this compilation is truly one of a kind and showcases top-notch musical talent. (Reggae Vibes)


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