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Saturday, August 29, 2026
1973 - Genesis - Live at Shepperton Studios
1973 - Genesis - Live at Shepperton Studios @320
Watcher Of The Skies
Dancing With The Moonlit Knight
I Know What I Like (In Your Wardrobe)
The Musical Box
Supper's Ready
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Friday, August 28, 2026
Praxis – Knitting Factory 3 2021 320 π
Praxis was the name of an experimental rock project, led by prolific producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Bryan "Brain" Mantia in nearly every incarnation of the band.
The group worked with many other artists such as Serj Tankian from System of a Down, Iggy Pop, DXT and DJ Disk.
The group worked with many other artists such as Serj Tankian from System of a Down, Iggy Pop, DXT and DJ Disk.
Recorded at Knitting Factory, NYC
Friday, June 30, 2000
Friday, June 30, 2000
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2004 - Faces - Five Guys Walk Into A Bar (4CDs)
2004 - Faces - Five Guys Walk Into A Bar (4CDs) @320
There has never been a better box set than the Faces' Five Guys Walk into a Bar.... There has never been a box that captures an artist so perfectly, nor has a box set taken greater advantage of unreleased and rare material, to the point where it seems as essential and vital as the released recordings. Simply put, there's never been a box set as necessary as this, since it tells the band's entire tale and explains exactly what the fuss is all about. Unfortunately, some explanations are in order, since the Faces never made it big, resigned to cult status in America and Britain alike. Nevertheless, if you love rock & roll with an all-consuming passion, you may consider the Faces the greatest rock & roll band ever. And you'd be right. Other bands were certainly bigger and plenty wielded a stronger influence, but the Faces were something unique, an endearingly ragged quintet that played raw, big-hearted rock & roll as hard as the Rolling Stones, but with a warm, friendly vibe that would have sounded utterly foreign coming from the Stones. At the turn of the '60s, that warmth was unusual in rock & roll, since most of the big bands were larger than life; even the Kinks, the quaintest and quietest of the titans of the late '60s, had a theatrical bent that lent them a mystique.
In contrast, the Faces were utterly without mystique. They were unpretentious to a fault, coming across like the lovable lads from the neighborhood who were always out for a good time, whether it was before, during, or after a gig. They were unassuming and mischievous, with their raggedness camouflaging a sweetness that flowed throughout their music; they were charming rogues, so endearing that even the infamously cranky, trendsetting British DJ John Peel had a soft spot a mile wide for them. That raggedness resulted in exhilarating music, but also made the Faces inconsistent on-stage and in the studio. At their peak, nobody could touch them, but even their greatest albums were sloppy, never maintaining their momentum. They would also throw away great songs on non-LP singles, and their live performances -- including BBC sessions for Peel -- often had a raucous energy not quite captured on their albums. All of these elements taken as a whole add up to a great band, but no single album, not even the first-rate 1999 compilation Good Boys When They're Asleep, captured each of these elements.
Five Guys Walk into a Bar... does. Produced and sequenced by their keyboardist, Ian McLagan, the set throws all conventional rules of box sets out the window. It's not assembled in a chronological order. A grand 43 of its 67 tracks are non-LP cuts and rarities, including a whopping 31 previously unreleased tracks. It has all the B-sides never released on CD. Several songs are repeated in alternate live or studio versions. Such a preponderance of rarities would usually mean that a box set is only for the devoted, but that's not the case here -- these rarities are the very reason why Five Guys Walk into a Bar... succeeds in a way none of their original albums do, since they fill in the gaps left behind on their four studio albums. This does mean that it features several Rod Stewart solo cuts that worked their way into the Faces' repertoire (partially because the band backed him on his solo albums, too), but that was an important part of their history (plus, the BBC version of "You're My Girl [I Don't Want to Discuss It]" is blistering hot), and while this showcases Stewart at his best -- he never was better than he was in the early '70s, whether it was fronting the Faces or on his solo records -- he never overshadows his mates on this box.
The focus is on the band as a whole, which means that the spotlight is shone on the late, perpetually underappreciated Ronnie Lane numerous times on each of the four discs, and that Ronnie Wood has his turn at the microphone on a wonderful live "Take a Look at the Guy." McLagan's song sequencing may appear to have no logic behind it, since it doesn't group recordings together by either era or scarcity, yet his seemingly haphazard approach makes musical and emotional sense, flowing like a set list yet remarkably maintaining momentum through its four lengthy discs. While it may sound like hyperbole, there's never a dull moment here, not a bad track among these 67 songs -- it's consistent in a way the Faces never were when they were together. It's a joyous, addictive listen, too. It sounds like a party, one where everybody's invited and where the music doesn't stop playing until the break of dawn. That makes a perfect tribute for a band that never got the respect they were due, and never made the great album they should have made. With Five Guys Walk into a Bar..., the Faces finally have that great album and not just that, they have a box set that's as infectious and satisfying as any classic rock & roll album and a box set that's quite possibly the greatest box set ever made. Plus, it's just one hell of a good time. (AllMusic)
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Various - From the Ground Up - 08. US 88 2026 VBR π
08. US 88
From the Ground Up
An earwitness account of the electronic dance music revolution on Belgian dancefloors from 1984 to the mid nineties.
By Captain Crash
Warning this compilation is VBR, the majority of tracks are 320, but some are in lower bit rates.
Thanks to Captain Crash for sharing this home made compilation with us on Vibes. 8 more volumes to come in this 16 volume series.
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Thursday, August 27, 2026
The Cardigans – Best Of 2008 320 π
Yeah another from the to post (need's work) folder, again not much needed doing with this to be honest, just a little bit of tag work to be honest.
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The Walker Roaders – The Walker Roaders 2019 320 π
I forgot I had this, when I saw the 2026 EP released it reminded me I had this, so dug it out to post for ya enjoyment.
A Celtic Punk band based in Los Angeles, USA. Founded in 2019.
Members:
James Fearnley (The Pogues)
Ted Hutt (Flogging Molly)
Marc Orrell (Dropkick Murphys)
with:
Brad Wood
Kieran Mulroney
Bryan Head
2024 - The Cure - Songs Of A Lost World (Deluxe Edition)
2024 - The Cure - Songs Of A Lost World (Deluxe Edition) @320
Robert Smith starts at the end for The Cure's first album in 16 years. 'This is the end / Of every song that we sing' is the cheery opening line, and a repeated refrain of 'nothing' closes things some 50 minutes later (the full line is 'Left alone with nothing / The end of every song'). It's safe to say that the godfathers of gloom haven't altered their disposition in the intervening years, and we're all the better for it.
Songs of a Lost World is a true return to the desolate beauty of their 80s heyday. The opening pair of songs, Alone and And Nothing Is Forever, could've fit neatly onto Disintegration with their lengthy introductions (vocals rarely appear earlier than two minutes into any song), the cinematic sweep of the keys and guitar, Smith's languishing laments, the way beauty is eked out of the darkest corners.
Smith wrote, composed and arranged the whole album, something he only did previously on The Head On the Door. And though Songs may be lacking an earworm like In Between Days, the sonic blueprint is just as cohesive as the 1985 classic. The band's collective strengths are brought to the fore on each perfectly constructed ode to grief, memory and impermanence; the plaintive piano of I Can Never Say Goodbye, the screeching guitars of Warsong and Endsong, the martial percussive bounce of Drone:Nodrone.
These songs were written against a backdrop of family bereavement (I Can Never Say Goodbye is as poignant as it is heartbreaking), but Smith's reckoning with time and mortality is never self-pitying. Rather, he can view his nihilistic tendencies in the fullness of experience; love may be a fragile thing, but it's ultimately worth the pain it can cause. (TheSkinny)
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Black Stalin – Just For You 2009 320 π
Andy, look what I found in my Flac store on the HD (was looking for something else), it's the only one I have, will check the 320 just in case I have anything at 320. Am going to drop the Flac in Vibes Private Club. The 320 here on Vibes.
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House of Love - The Complete John Peel Sessions 2006 320 π
Another double CD, that's been sitting in the to post (need's a bit of work) folder, well just a bit of editing to the tags was all that was required. Anyway it's posted now. Maybe I'll dig the albums out and post them!! We will see!!
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Joolz – 1983 - 1985 1993 320 π
The funny thing is I thought I had posted this, maybe was while I was posting in Bob's Basement? Do I don't remember, well here it is now!!!
Joolz Denby (born as Julianne Mumford on 9 April 1955) is an English poet, novelist, illustrator, painter and tattooist based in Bradford, Yorkshire (UK). In 1975, at age 19, she married Kenneth Denby and took his family name. She first came to prominence touring as a spoken word performance poet. She began recording music and spoken word recordings in 1983, often in collaboration with New Model Army members or with Jah Wobble. She also wrote record and concert reviews for the UK magazine Spiral Scratch, and has on started publishing poetry collections and novels from 1986 onwards.
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Wednesday, August 26, 2026
1995 - Black Stalin - Message to Sundar
1995 - Black Stalin - Message to Sundar @320
More Calypso as requested by blessup
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Sheryl Crow - C’mon, C’mon 2002 (Australian Version) 320 π
This Australian version comes with a bonus track (no. 14)
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1975 - Joey Lewis & His Orchestra – Joey Lewis At The Lion's Den
1975 - Joey Lewis & His Orchestra –
Joey Lewis At The Lion's Den @320
Joey Lewis At The Lion's Den @320
Some Calypso as requested by blessup
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The Mighty Lemon Drops – Uptight: The Early Recordings 1985-1986 2014 320π
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Tuesday, August 25, 2026
2014 - Shuggie Otis – The Very Best Of Shuggie Otis - 1969-1974
2014 - Shuggie Otis – The Very Best Of Shuggie Otis
- 1969-1974 @320
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Bettie Serveert – Bare Stripped Naked 2006 320 π
Sorry but the DVD is not included in the link.
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