Dubtronic / glitch artist, producer and mastering engineer based in Berlin. He is the founder of ~scape (now defunct) and Pole labels and Scape Mastering studio. Pole 1 1998 Modul 4:36 Fragen 6:47 Kirschenessen 5:20 Lachen 7:30 Berlin 4:41 Tanzen 5:51 Fremd 5:27 Paula 6:15 Fliegen 4:46 Pole 2 1999 Fahren 9:18 Stadt 3:27 Streit 5:58 Huckepack 4:40 Hafen 4:26 Weit 5:46 Pole 3 2000 Silberfisch 6:36 Taxi 7:10 Karussell 6:40 Überfahrt 8:04 Rondell Zwei 7:01 Klettern 8:03 Strand 7:32 Fohlenfurz 3:11 Thought I would post these on the same post, they were found as flac files, while cleaning in the P folder, they have been converted to 320. They are all in the one link, it was easier. I would click the info above which will take you to the Pole bandcamp page, where you can take a listen, these won't be everyone's cup of tea that's for sure! Pole 1 (1998), Pole 2 (1999) and Pole 3 (2000), originally released as three consecutive albums in their own right, and described by The Wire as “…a set of roadmaps for the soul”, are presented together to highlight Pole’s deliberate statement - reinforced by the titling of the albums and their minimalist monochrome cover art. Pole’s music has a unique way of oscillating between melody and avant-garde, between pop and experimental. While many of his electronic peers swore off all danceable elements during the latter half of the 1990s, Pole decided to walk the edge, championing both radical reductionism and psychedelic dream states. Tracks like ‘Kirschenessen’ or ‘Hafen’ give ample proof that his music doesn’t limit itself to mere functionalism, but encourages new and poetic associations. Pole’s classic 1 2 3 trilogy still resonates in contemporary electronic music. The unmistakeable crackles infiltrated both mainstream Pop and the burgeoning Dubstep scene and now, with the reissue of his first three albums, listeners get a chance to experience Pole 1-3 as a coherent entity and explore this defining benchmark in the history of electronic music. The re-issue of pole´s album releases, 1, 2 and 3, collated as box set (cd and vinyl) were released on Mute records April 24th 2020. * Enjoy, Reb 👽 Link hidden somewhere on the post * 👿 👺 👾💂👽 👻 |
Monday, November 09, 2026
👽 Pole 👽 Pole 1 1998, Pole 2 1999, Pole 3 2000 (Box set was released in 2020) 320 👽
Various – Record Kicks 10th 2013 320
2018 - Maria Muldaur - Don't You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker)
Now 75, Muldaur became a dynamo in her fifties, an album a year between 1998 and 2011. Always a nuanced singer, she got subtler, sassier, and smarter; her pipes remained supple and the burr in her voice never went to seed. But her best albums were sharpened by a concept, particularly the wide-ranging Memphis Minnie tribute Richland Woman Blues and the mind-blowing .Heart of Mine: The Love Songs of Bob Dylan and its climactic "You Ain't Goin' Nowhere," which gets busier in that easy chair than was dreamt of in the Byrds' philosophy. This album flips the script by breaking out an obscure songbook rather than reimagining a famous one. Muldaur has been performing Blue Lu and Danny Barker's lubricious title song since it spiced up her solo debut in 1973, and in 2007 she assembled a whole album called Naughty, Bawdy & Blue. Here she lightens her timbre in tribute to her friend Lu on top of a hyperactive New Orleans band, and she's never sounded sexier or more committed. "Georgia Grind" jumps out at "Mama mama look at sis," after which "Loan Me Your Husband" follows hard upon "Leave My Man Alone." But it signifies that naughty and bawdy ain't all. "Now You're Down in the Alley" and "Here's a Little Girl from Jacksonville" could double as 50s dance novelties, "Nix on Those Lush Heads" means what it says, and if "Trombone Man Blues" evokes Dinah Washington at her filthiest, "A Little Bird" ends happily ever after. After all, Blue Lu and Danny were wed for 67 years. (Robert Christgau)
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👽The Nerves 👽 Full Live Performance👽
👽 Various 👽 Nigeria 80 320👽
👽Various 👽 Box Of Vibes 58 (A-C-R) 2026 320 👽
Mrs. Magician - Bermuda (2016) 320
There is a reason that John Reis (Rocket from the Crypt, Drive Like Jehu, Hot Snakes) has produced both of Mrs. Magician’s records. You might think that it is because they are on his label Swami and the fact they are from San Diego but you would be wrong. It actually is quite simple – he knows a good edgy band when he hears it. Mrs. Magician’s 2012 debut, Strange Heaven, was a little buried in reverb, hence their surf punk tag, but Bermuda smartly trims the weight and creates eleven sonically tight rock songs that still contain the groups base but fires off catchy power pop numbers that are hard to turn down.
Sunday, November 08, 2026
👽 PJ Harvey 👽 Happy Birthday, John Peel! 1999 192 (1@128)👽
John Parish & Polly Jean Harvey live at the Improv Theater for BBC Radio One, London, UK, 01.04.1999.
👽 Sundays On Vibes & Other News 8.11.26👽
Fungi Girls - Some Easy Magic (2008) 320
Saturday, November 07, 2026
Fungi Girls - Old Foamy (EP) (2014) FLAC
The 3-track EP leans into lo-fi, unpolished garage rock, surf-psych and noise-pop/slacker rock aesthetics
2006 - Heart Of Mine Maria Muldaur Sings Love Songs Of Bob Dylan
Maria Muldaur Sings Love Songs Of Bob Dylan @320
It has always struck me as a bit of an oxymoron that Bob Dylan, a man whose speech you could seldom understand, is considered a legendary songwriter and performer. Here, another tribute comes Dylan’s way, in the form of Maria Muldaur’s Heart of Mine, subtitled Love Songs of Bob Dylan.
Muldaur’s association with Dylan’s music originates in the turbulent ’60s, when speaking out on social issues was not only prominent in the daily headlines, but became a mainstay in popular music. Both artists were playing the same Greenwich Village scene coffeehouses. “It occurred to me,” Muldaur says, “that while Dylan is mostly known for his scathing, perceptive, brutally honest and insightful songs of social consciousness, he has in fact, over the years, written many deeply passionate, poignant and moving love songs.”
Muldaur has recorded an outstanding version of “Lay Baby Lay (Lay Lady Lay)”, the song that people of my generation first associate with Dylan. On it, Muldaur regains the sensuality that made her own song “Midnight at the Oasis” a top six tune in 1973. Her eponymous debut was ranked on the Billboard album chart for more than six months largely on the strength of the single, and the record went on to earn platinum status.
As good as Muldaur’s performance is on “Lay Baby Lay”, she is even better on the bluesy “To Be Alone with You”. Many a man will feel weak in the knees as he listens to Muldaur sultrily coo, “To be alone with you / Just you and me / Now won’t you tell me true / Ain’t that the way it oughta’ be? / To hold each other tight?”
Fans of blues music are in for a real treat, however, when they hear the tandem of Cranston Clements (acoustic guitar) and Grammy Award-winner Danny Caron (electric rhythm guitar) lay down some sweet licks. Caron in particular is spectacular in his solo. The guitarist is a veteran of the Texas music scene and has performed with artists such as Bonnie Raitt, Marcia Ball, John Lee Hooker, and Van Morrison. Muldaur sings the blues the way it should be sung: with passion, heartbreak, and personal experience. “Golden Loom” matches her great vocals in a call-and-response with David Torkanowsky’s keyboard magic.
The lady demonstrates she can be seductive in several genres with her invitation, “Won’t you meet me in the moonlight alone?” “Moonlight” has that easygoing southern charm to which it is difficult to say no. What makes this song work so well is the instrumental accompaniment. David Torkanowsky’s keyboard chops, Hutch Hutchison’s strong bassline, and Tony Braunagel’s drumming supported by the good picking by Caron and Clements are a testament to the terrific arrangement. We should also tip our hat to Muldaur, who wore the producer’s hat for Heart of Mine.
Readers are forewarned that not all the tracks on this album are blues and jazz. Muldaur chose to record several covers of Dylan’s tunes with a country twang. Tracks nine, 10, and 11 are country, and the last track is bluegrass.
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👽 Cul De Sac 👽Death Of The Sun 2003 320👽
👽Clinic 👽 Clinic 1999 320👽
Debut single IPC Subeditors Dictate Our Youth made BBC Radio1 DJ John Peel's end-of-year Festive Fifty. The track Second Line off their debut album was used in a Levi's jeans TV ad, while Come Into Our Room was featured in episodes of both US shows CSI and The O.C. The track If You Could Read Your Mind from 4th album Visitations appeared in the 2007 film Hallam Foe.
Andrew Tosh
The Original Man
[OM187]
(2024)
Bikini Beach – Appetizer (2023) 320
Octagrape - Aura Obelisk (2016) 320
Friday, November 06, 2026
2010 - Joe Gibbs - 12 Inch Reggae Discomix Showcase Vol 5
👽Various👽 More Pressure Vol 1 - Straight To The Head 2006 320 (Reposted & Edited 6.11.26) 👽
1 Ras Ibuna – Diverse Doctrine
2 The Village Bunch – Diverse Doctrine Version
3 Ricky Storm (I Kong) – The Way It Is
4 Ricky Storm (I Kong) – The Way It Is Version
5 Michael Rose – We Shall Over Come
6 The Key – Over Come
7 Bongo Gene– Skyjack
8 Bongo Gene Allstars – Skyjack Version
9 Cornell Campbell – Free Meal Ticket
10 Barrington Levy – The Winner (12 Inch Version)
11 Dillinger – Nuh Chuck It
12 The Hardy Boys – Chucky Dub
13 Tafari Syndicate – Free For All
14 Tafari Syndicate – All For Free
15 Black Uhuru – Folk Song
16 The Freedom Singers – Folk Song Version
17 The Mercenaries – Eight Against Rome Version
Ok I have reposted this after a request for a copy, but as I have stopped sharing Flac on Vibes I am sharing the 320 version, whatever I get in Flac I convert to 320. There is a new link which as with all my posts now is hidden on the post somewhere, you just need to find where. I decided a few weeks ago anything I repost will come with a limited life span of one month, therefore if you wish to have this, you need to act fast, you only have one month to act and collect a copy, it will not be reposted again!! Reposted 6th Nov 2026 so be quick if you want a copy.
* Enjoy, Reb 👽 Link hidden somewhere on the post *
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