21 February 2026

Frankie Miller - 1972 - Once in a Blue Moon



Frankie Miller - 1972 - Once in a Blue Moon (2011 Remaster) (Flac)




MENTION THE NAME Frankie Miller to any musician of a certain era and their face will immediately light up regarding his singing ability and subsequent influence on a generation of British vocalists. The owner of one of the finest blues voices of the era, Frankie’s shadow loomed long and hard across a multitude of styles, with enough true grit and authority to carve out a top tier reputation. Compared in the same exalted breath as Rod Stewart, Paul Rodgers, Terry Reid and Joe Cocker, Frankie quickly established a reputation second to none. Originating from Glasgow, Frankie’s first brush with fame came via Jude, a supergroup, including guitarist Robin Trower, which inexplicably failed to connect with the public. It was, however, enough of a career boost to secure him a solo recording contract with Chrysalis records and the release in 1973 of this, his debut album, ‘Once In A Blue Moon’. 

The record was lauded by critics and supporters, yet inexplicably failed to sell at the time. As a mixture of hardnosed blues and gritty R&B it established Miller as a real force in British rock, with most supporters predicting a bright future. The album was record at the famed Rockfield studio in Wales, backed by pub rock stalwarts the Brinsley Schwarz group and produced by their manager Dave Robinson, a man who would later go on to form Stiff Records. With tight arrangements and gritty instrumental support, the album focussed on an earthy blues rock, allowing Miller’s voice to take centre stage. It also highlighted his compositional skills, setting up a reputation for writing material that would find many varied and successful outlets over the years. (Horizon Music)



 

The Delmonas – Dangerous Charms (2000 Expanded reissue) 320


* Yeah I posted the original album at the start of the week, I did have a copy of this, but must have been one of the albums I lost with a HD failure and few years ago, I was very surprised when I didn't find this expanded copy in The Delmonas folder. Well I was sent a copy of this expanded reissue via email from a kind soul and checked with him and he was happy with me to share it on the site, but would like to remain anonymous. *

* Tracks 1 to 16 were the original album and is expanded with 6 bonus tracks 17 to 22 *

* Tracks 2, 8, 9, 11, and 13 are from a 1985 BBC session. First transmission date: 18th February 1985.
Tracks 17 to 22 are from a 1988 BBC session. First transmission date: 25th April 1988. *

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The Delmonas – Do The Uncle Willy (1989) (2003 CD reissue) 320


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Lonnie Donegan

King Of Skiffle

(1994)

 










320

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The Quarry Men

Open For Engagements

(1995)

 










320

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The Vipers Skiffle Group

The Very Best Of The Vipers

(2003)

 










320

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The Skiffle Players

Skiff

(2018)

 










320

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20 February 2026

DubXanne / Rob Smith aka RSD – Police In Dub - Re-Synchronised By Rob Smith aka RSD (2014) 320


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1972 - Milton Nascimento & Lô Borges – Clube Da Esquina



1972 - Milton Nascimento & Lô Borges – Clube Da Esquina (Flac)


 





The cover of 1972’s Clube Da Esquina perfectly encapsulates the music and the context that surrounds it. In the photograph, two young boys perch by the side of a dusty Brazilian road, both staring into the camera with differing expressions. Above this image of rustic innocence, a barbed wire ominously hangs. The picture perfectly complements the record’s playfulness, its quiet sensitivity, and the horrendous circumstances under which it came to be. Indeed, by 1972, Brazil was eight years into an aggressive US-backed military junta, unable to mount any meaningful opposition, and left stranded by most international powers. Though the key architects of Clube Da Esquina – Milton Nascimento and Lô Borges – were not as overtly rebellious as their contemporaries in the Tropicalismo movement, the artists remained under the watchful eye of right-wing authorities, often facing extensive censorship.

Clube Da Esquina is MPB (Música Popular Brasileira) that both subtly reflects this context and exists well beyond its shadow. The record begins with “Tudo Que Você Podia Ser,” a buoyant introduction to the album’s shapeshifting. The following “Cais” is a perfect example. It starts as a beautifully sparse track, allowing space for Nascimento’s delicate vocals. Its abrupt segue into a simple piano melody makes for one of the understated highlights of the record. Similarly, the Spanish bolero “Dos Cruces” is initially stripped back and mournful, but soon explodes into grand progressions.

Nascimento’s voice is a highlight throughout, especially on the gently affecting “San Vincente,” which features both a stunning performance and subtly unpredictable phrasing. The song makes plain that this album is built on compatible opposites. It is at once accessible but experimental, warm but haunting, ebullient but melancholic, gentle but deeply resonant, fragile but righteous. Often this duality is held just within Nascimento’s voice.

One of the most impressive things about Clube Da Esquina is its sheer ambition and range of influences. Given Nascimento and Borges’ upbringing in the state of Minas Gerais, there is a rural folk influence, a trace of the local church music, and a love of the popular bossa nova that had dominated Brazil’s charts. But this is far from adequate in explaining the intricacies of Clube Da Esquina’s unique sound. Throughout the record, you can also hear traces of the adventurous pop of The Beatles, as well as an incorporation of the many regional variants of toada (a style of Amazonian folk music); there is orchestral psychedelia, an understated compositional complexity, and experiments that were uncommon in much MPB. Through it all, Nascimento’s voice brings a vital cohesion. Though the compositions and arrangements by Lô Borges, Márcio Borges, Eumir Deodato, and Wagner Tiso are remarkable on their own terms, it’s Nascimento’s affecting navigation of the tracks that elevates the record to its current status as one of the most important Brazilian records of the 20th century.(Discover Music)












The Delmonas - Hello, We Love You! The Big Beat EP's (2021) 320


* 'Comin' Home Baby' is actually the version without the organ solo, from the 'Dangerous Charms' album, rather than the one from the original EP. One more album to come tomorrow! *

* Enjoy, Reb 😎 Link 👇 *

The Delmonas – The Delmonas (1989) 320


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Jean Knight

Mr. Big Stuff

(1990)

 










320

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Barbara Lynn

Until Then I'll Suffer

(1996)

 










320

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Jean Knight & Barbara Lynn

Bluesoul Belles vol 2

(2000)

 










320

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Various Artists

Say Hi To Northern Soul

[Willie Mitchell's Ultimate Driving Beat]

(2010)

 










320

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19 February 2026

Dub Syndicate (Overdubbed by Rob Smith AKA RSD) (2007) 320


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Frankie Miller - 1977 - Full House (2011 Remaster)



Frankie Miller - 1977 - Full House (2011 Remaster) (Flac)



With 3 outstanding albums under his belt, but no substantial success, you could have forgiven Frankie Miller for just accepting his fate.

Judging by his genre hopping fourth album, Full House, (1978) he never stops long enough in one place to gain any lasting recognition. From the solid pop of ‘Doodle Song’ to the sweetly soulful ‘This Love Of Mine’, to the country flavoured ‘Let The Candle Shine’, Miller’s interpretation of his self penned material is always impressive. And just when you’re looking for more of that, he gives you something else.

Then there’s the covers: You need to be brave or foolish to interpret a John Lennon classic, ‘Jealous Guy’, or a universally recognised standard, ‘Love Letters’. Miller’s almost tangible heartfelt sincerity amplifies the fragile lyrical quality in both songs. He makes them his own. No mean achievement.

That said, it’s opener, ‘Be Good To Yourself’ that really stands out. Up front of a solid, bolted-to-the-floor rhythm section, the precision and depth of guitarist, Ray Minhinnett’s playing is a wonder to behold. His fiery licks elevate this already great Andy (Free) Fraser song way beyond its starting point. And once the Memphis Brass get on board, we’re on a funky, bluesy, rockin’ journey we hope will never end. (GetReadyToRock)


 

The Delmonas – Delmonas 5! (1986) 320


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Billy Vera & Judy Clay

Storybook Children

(1968)

 










320

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Judy Clay & Veda Brown

Private Numbers

(1993)

 










320

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