So if these 4 invites work in the next few days fine, but if not they will be deleted on Friday at 8AM GMT.
Anyone who is still not in by then will be added to a new list, once I have more people to make a group of 20 with what remains from this group.
I don't have the time to mess around like this everyday, So the next time poeple will be sent one invite and if they don't get access then, that's it till the next group and so on.....
Will add the name to this post once I see who get in from the remining invites on Friday when I delete any unused invite!!
Tokyo Tea Room is a project that blends the intricate layers of dream pop with the heartfelt grooves of indie soul. This unique combination results in a sound that is both nostalgic and contemporary, capturing the imaginations of listeners with catchy melodies and emotive lyrics. Behind the music is songwriter/singer Daniel James Elliott, joined by Ben Marshall on bass, Sam Teather on drums, and Beth Dunn on vocals, recording from the band’s studio in their hometown of Margate, UK.
This album cover is quite mysterious, isn't it? Let's uncover what's behind it. The first notes of the opening track immediately set the tone: the journey begins. Take the album title literally and allow yourself to be comforted by the tenderness the British band is about to offer.
Dream pop is a genre of its own, characterized by a warm sound, enveloping bass lines, dreamy synths, and beautiful vocals. With "No Rush," Tokyo Tea Room guides the listener through an exploration of their emotions and an escape from everyday life.
Each of the 12 tracks on this project exudes the same tender energy, yet stands out with creative and meticulously crafted compositions. This project is poised to become a staple of the genre.
Now that he's assumed the mantle of Afro-Beat superstardom from his father, Femi Kuti seems much more assured on his third album, Shoki Shoki.
Femi is just as focused on political and social situations as Fela Kuti, as displayed on several tracks here ("Blackman Know Yourself," "What Will Tomorrow Bring," "Victim of Life," "Look Around"). Also like his father, he never lets the lyrically conscious material get in the way of pushing irresistible grooves.
From the openers "Truth Don Die" and "Beng Beng Beng" -- both of which were passed off to dance remixers including Masters at Work and Black Science Orchestra -- to later tracks like "Sorry Sorry," Femi is a strict bandleader who knows how to get the most out of his charges.
In fact, the only real stylistic difference between father and son is the fact that songs by Femi are shorter and poppier than those by Fela. (AMG)
I selected 20 people to invite, and some of them have responded already, but there are some that haven't yet, I need your google email addresses to process you into the site so.
Can these people please supply we their details A.S.A.P. cheers.
steve in toronto
Majicmarty (sorry I didn't make a note of you address to re send an invite)
Vincemagic
dbh
Alain F. Bertrand ( I sent you an invite as I had your address already)
Ned
Jean
Antonio Carlos Cagalhaes (Trol I sent you an invite as I had your address)
So if I don't hear from you guys by Friday 10th July, then you will all be included on the next list and intake.
You can add your details on a comment, we won't share it on the site don't worry. Or you can send it via email to 4vibessite(at)proton.me just replace the (at) with @
If you would like an invite to private Vibes just keep making comments on the Vibes site and make sure you add your name on the comment if you use the anonymous comment option.
Was going to publish a new list next month, but I will wait until I have another set of 20 people to invite.
So we reach Box 43 in our home made, cross genre and decade compilation series, including the odd alternative and cover version. Andy starts this week with his number 1 themed tracks, from 1 to 8, then comes Concha's selections from 9 to 16 and finally my (Reb) tunes to close the box from 17 to 24.
Hi, here is a list of people who have commented on a regular basis on vibes in the past, that would like to invite to Vibes Private Club, can you please put your gmail account on a comment so the invite can be forwarded to you, to gain access. Then in the future I will post a new list of people who have been doing making regular comments and I would like to give access to as well. This will contnue until we hit the 100 mark, where we can add no more.
Jimmy G
Peter P
BasicDave
Rob
Majicmarty
steve in toronto
Demcal
Sleepy Pete
Keven
Vincemagzic
Skinoi
dbh
beerpong
Alain F. Bertrand
Evil Twin
Legendary Ganja Smoking Monk
Antonio Carlos Cagalhaes
Ned
N8Deepbc
BZH
Jean
If you are not on this list then, keep making comments, maybe you will make it next month. And is better to add in smaller groups.
If you see a line through your name on the list, I have received your email address and have sent you an invite. But I will also tell you in the comments just after it's been sent.
If your on the list and don't have a gmail account then you will need to open one, if you don't want an invite then please say in the comments cheers. So I can cross you off thanks.
Representing a stylistic left turn for Peter Hammill, this raucous, messy, rock platter was often cited as an influence by the first wave of punks in England (the second album was often cited for being David Bowie's influence for Diamond Dogs). While essentially proving himself incapable of writing three-minute, three-chord rock & roll numbers, Hammill (taking on the guise of Rikki Nadir, i.e. dumb garage rocker) lays into his guitar with a vengeance, screaming out lyrics that are often unintelligible (the album did not come with a lyric sheet; this was the first Hammill album ever to make the listener depend upon the recording), while Guy Evans, Nic Potter, David Jackson, and Hugh Banton thrash along behind him. Among the treats are the title cut, "Birthday Special," the dolorous "Pompeii," and a remake of the early Van der Graaf Generator single "People You Were Going To." Hammill would never let himself be this wild and hairy again. (AllMusic)
Fehlfarben were a New wave / NDW or "Neue Deutsche Welle" (translated New German Wave") / post-punk band from Düsseldorf, Germany, first active from 1979 to 1984. They reunited in 1989.
Track 2-12 to 2-16 taken from BBC John Peel Session - 17 February 1996 (Previously unreleased).
60ft Dolls were a rock trio from Newport, South Wales, in the style of punk / pub garage rock / power pop with a dash of mod. Their songs and approach embodied elements of The Jam and Dr. Feelgood, classic UK stripped-down guitar rock. Mike Cole and Richard Parfitt were originally introduced to each other in 1992 by Donna Matthews (later of Elastica), who was dating Cole at the time while also working at a pizza restaurant with Parfitt. The group released two albums in the mid-nineties and supported the Sex Pistols at that group's comeback gig in Finsbury Park in 1996 before splitting in 1998.
* Well I have just shared this cd in Flac on Vibes Private Club, but will share any old flac or wav files here on Vibes as well but only as 320. Think this is fair. *
The Adverts - 1978 - Crossing The Red Sea With The Adverts @ 320
The Adverts pulled the masterstroke of releasing a debut album that executed on the potential suggested by their early singles. Directly influenced by the immediate first wave, TV Smith assembled a rampaging set of strikingly simple, and strikingly effective songs for Crossing the Red Seas with the Adverts.
In fact, tracks like “Bored Teenagers” and “New Church” were even more simple than the first Sex Pistols, Damned, and Clash tunes, and just as fast, if not faster. Smith seemed determined to whittle songs down into their most Spartan form and then jack them up with powerful strikes and the energy of a young man… and he did just that.
Perhaps in contrast to the Clash and Pistols, the Adverts focused on hyper-personal issues. Jones and Strummer would often use youthful detachment as a way to describe bigger economic issues, and Rotten started at the very top by smacking around the queen herself, but Smith and crew keep their perspective very ground level. “Bored Teenagers” served as a mandate and short explanation of why the band was so jumpy. Meanwhile, “On the Roof” detailed the sort of loneliness and wanting that only young people have. The record was at once youthful and wizened. these guys were young, but they were smart enough to have a perspective that whittled the experience of young Brits down to three, two, or even one chord.
Mention needs to also be given to Gaye Advert on bass. The British punk scene did have some standout female musicians- the Slits, Raincoats, and X-Ray Spex all come to mind. Still, Gaye Advert was notable both for her amazing musicianship – the driving slam of the Adverts owes a huge debt to her rumbling, but sprinting bass- but also for making herself known and respected in the male dominated scene. That’s no easy task now and certainly it wasn’t easy then, either.
After this release, the adverts would evolve to a more post-punk sound. Still, Red Sea perhaps like no other record before it, found a band focusing on the established ideals of punk, fashioning those tools to their sharpest points possible, and striking with sheer force. (PunkNews.og)
