Showing posts with label Soul. Show all posts
Showing posts with label Soul. Show all posts

Tuesday, August 25, 2026

2014 - Shuggie Otis – The Very Best Of Shuggie Otis - 1969-1974



2014 - Shuggie Otis – The Very Best Of Shuggie Otis
 - 1969-1974 @320



2014 collection from the Rhythm & Blues singer/songwriter. This release spans the years 1969-74 and includes 'Strawberry Letter 23', 'Ahut Uh Mi He'd',' Hurricane', 'I Can't Stand to See one Die' and many more.   This a great value compilation of Shuggie's work recorded between 69-74. Strawberry Letter 23 would go on to become a massive hit in 77 for the Brothers Johnson produced by Quincy Jones. Shuggie's original version is awesome. This 18 track compilation comprises the majority tracks featured on his first three albums. The quality is awesome and still sounds great today. The albums must have sounded cosmic when originally released! Unfortunately Otis recordings dried up following this initial burst of creativity recorded in his late teens and early 20's and we can only imagine the stellar career he might have had. A terrific album from a terrific artist at a terrific price. (Desertcart)

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Various - Soul Mixed Vol 9 2026 320 😎


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Sunday, August 23, 2026

2025 - Lila Iké - Treasure Self Love

 



2025 - Lila Iké - Treasure Self Love @320


Given Lila Iké’s popularity in the reggae music scene, it’s hard to believe the newly released Treasure Self Love is her debut full-length album. Fans have been understandably giddy over the singer since 2020’s The ExPerience EP put her on the path to worldwide stardom. Still, when an artist has so much hype, disappointment can feel inevitable. Thankfully, that’s not the case here, as Treasure Self Love is further proof that Iké is the real deal (not that we needed any).

The album features several notable collaborations, and each of them perfectly amplify Iké’s distinctive talents. Joey Bada$$ brings playful energy to “Fry Plantain,” while Maverick Sabre lends warmth to “All That and More.” Perhaps the most daring track is “He Loves Us Both” with H.E.R., an engaging tune that finds two female powerhouses joining forces in to great success.

For an artist that has quickly been hailed as reggae’s next superstar, Iké also exudes respect for the genre’s trailblazers. Her fantastic cover of Patra’s 1993 classic “Romantic Call” – here called “Romantic” – is a thoughtful nod to dancehall history. Likewise, “Love in a Lovely Way” cleverly intertwines Garnett Silk’s “Place in Your Heart,” managing to be both fresh and nostalgic at the same time.

Throughout Treasure Self Love, Iké blends a variety of influences. Yes, reggae is at the heart of everything, but soul, R&B, and hip hop also factor into her sound. The singer also showcases songwriting talent well beyond her years, displaying strength, vulnerability and power within her lyrics.

During a recent conversation with Grammy.com, Iké described Treasure Self Love as “a journey of learning to love myself, understanding that each and every one of us should be able to treasure ourselves and value ourselves.”

“Every time I make music, every time I get to another level, every time that I’ve ticked off an accomplishment or overcome a particular milestone, it’s just a reminder to just continuously evolve,” she continued, “to continuously work on getting better and especially to just learn myself because you really don’t know what you’re capable of until you do it.”

Treasure Self Love is proof that the journey — and the evolution — was well worth the wait. (The Pier)

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Monday, August 17, 2026

The Temptations - 1970 - Psychedelic Soul

 


The Temptations - 1970 - Psychedelic Soul @320


As it was for just about anyone who lived in the United States, 1968 was an incredibly pivotal year for the Temptations. Having just parted ways with their silk-throated lead singer, David Ruffin, the group found itself turning a corner away from the mellow hits on which it had built its renown — “My Girl”, “Ain’t Too Proud to Beg”, “I Wish It Would Rain” — in favor of a sound far more urgent and more in touch with the social upheaval that was spreading throughout the country. Ruffin’s replacement, former Contour Dennis Edwards, provided the necessary spark to authenticate the group’s new direction; as the son of an Alabama preacher, Edwards substituted a raw, fire-and-brimstone shout for Ruffin’s lovelorn sensitivity. 1969’s Cloud Nine introduced this new Temptations sound upon the unsuspecting public, and the rest is history — a history well documented by Universal’s new two-disc compilation of the group’s post-Ruffin years.

What was most remarkable about Cloud Nine was the way the group realigned its musical accompaniment to match the edge that Edwards’s voice brought to the table. Gone was the smooth, pretty sheen of the Temptations’ earlier hits, as the record’s eponymous first single announced with bullhorn clarity — “Cloud Nine” was a blast of rock and funk and roll that threatened to catch its sharp edges on any porous material that happened upon its path. But even though the sound of the group’s music had been radically altered, they were astute enough to hold onto what earned them so much popularity in the first place; The Temptations were a vocal group first and foremost. Even on a track like “Runaway Child Running Wild” (the second to represent Cloud Nine on this set), with a droning organ jumping in and out of the nine-minute jam seemingly oblivious to the song’s natural flow, the vocals are still amazingly front and center, layered together like an artful gospel quintet.

While 1969 produced two whole albums and four hit singles (including “I Can’t Get Next to You”, a number one on the pop and R&B charts before Al Green could smooth out its blatant sexual frustration), it wasn’t until the following year that the Temptations perfected their newfound freedom. The group’s masterpiece of this era, Psychedelic Shack (covered by no less than six songs here, including a previously unreleased extended version of the title cut), eschewed the hit-machine format of their previous albums in favor of a more cohesive statement made up of equal parts Harlem discontent and Haight-Ashbury idealism. The one-two punch of “Hum Along and Dance” and “Take a Stroll Through Your Mind” accounts for probably the most satisfying 12 minutes on either of these two discs — moving from another proof-positive example that they hadn’t lost any ground as a vocal group to a jazzy ode to reefer that went so far as to include a lyrical allusion to “My Girl”, presumably to reaffirm that they really hadn’t abandoned their roots as much as it might’ve seemed to the Motown purists.


Although Psychedelic Shack may have been the group’s crowning achievement in terms of full-length albums, the rest of this compilation shows that the Temptations still had plenty of ideas up their silk paisley sleeves. 1971’s Sky’s the Limit (the last to feature original members Paul Williams and Eddie Kendricks) didn’t yield much in the way of chart-toppers, but the nearly 13-minute bassoon-addled dub excursion of “Smiling Faces Sometimes” definitely proved that the group had no intentions of abandoning their psychedelic ways. Nor did the band’s last number one hit of this period, “Papa Was a Rolling Stone” — released in 1972 on All Directions, this was the jam to end all jams, perfectly capturing the protagonist’s restless nature in 12 minutes of rambling funk.

Maybe the subject matter just lends itself well to the compilation format, but it almost seems as if someone at the major labels is listening to the endless critic complaints over the years concerning the quality of these things. Because as far as retrospective sets go, Psychedelic Soul is about as good as they get — the packaging includes detailed track information, liner notes and photos, virtually no filler, and the sequencing is chronological and judiciously separated between the two discs. The only way you could do better is to track down the original vinyl records (most remain unissued domestically on CD) and make your own compilation — but that hardly seems worthwhile when such a fine effort has already been made, does it? (Pop Matters)

When this is posted I will be on holiday so there won't be any quick responses to comments.




Saturday, August 15, 2026

Various - Soul Mixed Vol 2 2026 320 😎


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Various - Soul Mixed Vol 1 2026 320 😎


The first in a new home made comp series, featuring Soul,funk & R&B and a few other bits. So far I have compiled 6 Volumes and will work on more soon. 

* Enjoy, Reb 😎 Link 👇 *

Friday, July 17, 2026

Tommy Hunt

A Sign Of The Times

(1976)

 










320

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Thursday, July 16, 2026

Various Artists

Dave Godin's Deep Soul Treasures

Volume 5

(2019)

 










320

If you like what you see, look for the link in the comments. 

 


Wednesday, July 15, 2026

Various Artists

Dave Godin's Deep Soul Treasures

Volume 3

(2000)

 










320

If you like what you see, look for the link in the comments. 

 


Various Artists

Dave Godin's Deep Soul Treasures

Volume 4

(2004)

 










320

If you like what you see, look for the link in the comments. 

 


Tuesday, July 14, 2026

Various Artists

Dave Godin's Deep Soul Treasures

Volume 1

(1997)

 










320

If you like what you see, look for the link in the comments.